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Vengeance Is Mine (Japanese: 復讐するは我にあり, Hepburn: Fukushū Suru wa Ware ni Ari) is a 1979 Japanese film directed by Shōhei Imamura, based on the book of the same name by Ryūzō Saki. It depicts the true story of serial killer Akira Nishiguchi, changing the protagonist's name to Iwao Enokizu. [2]
Imamura returned to fiction with the 1979 Vengeance Is Mine, based on the true story of serial killer Akira Nishiguchi. Two large-scale remakes followed, Eijanaika (1981), a re-imagining of Sun in the Last Days of the Shogunate, and The Ballad of Narayama (1983), a re-telling of Keisuke Kinoshita's 1958 The Ballad of Narayama.
Vengeance Is Mine, a 1972 American blaxploitation film also known as Night of the Strangler; Vengeance Is Mine, a 1978 film also known as Death Force; Vengeance Is Mine, a 1979 Japanese film directed by Shōhei Imamura; Vengeance Is Mine, a film by Michael Roemer; Vengeance Is Mine, a film featuring Yukari Oshima
On January 14, 1976, Saki was awarded the Naoki Prize for the novel Vengeance Is Mine based on Japanese serial killer Akira Nishiguchi. [2] The novel became the basis of Shohei Imamura's film Vengeance Is Mine. [3] He also wrote the books about Norio Nagayama, Tsutomu Miyazaki, Fusako Sano and Futoshi Matsunaga.
Characteristically, Imamura seeks to investigate an alternative interpretation of recent Japanese history through the eyes of a person living in the lower strata of that society. [4] Beginning with this film, Imamura was to spend the next decade working in the documentary format. He returned to purely fictional narrative with Vengeance is Mine ...
Language Italian Per 100.000 dollari ti ammazzo (literally I will kill you for 100,000 dollars or 100,000 dollars for killing you , internationally released as Vengeance is Mine , For One Hundred Thousand Dollars for a Killing and One Hundred Thousand Dollars Per Killing ) is a 1967 Italian Spaghetti Western film.
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The point of that novel, as with Vengeance, is to show the insidious, trickle-down effects of men who wreak havoc with little consideration for those around them. Both works illustrate these knots of community, where propriety, rage, and survival coexist with a surprising amount of compassion—and illuminate the pain and learning of the next ...