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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Coining the term "Impressionism" Louis Leroy ( French pronunciation: [lwi ləʁwa] ; 1812 - 1885) was a French 19th-century printmaker, painter, and playwright. Biography
Henri-Edmond-Joseph Delacroix was born in Douai, [1] a commune in the Nord department in northern France, on 20 May 1856. He had no surviving siblings. He had no surviving siblings. His parents, with a family history of ironmongery , [ 2 ] were Alcide Delacroix, a French adventurer, and British Fanny Woollett.
Eventually Durand-Ruel had exhibitions of Impressionism and other works (including the expatriate American painter James Abbott McNeill Whistler who lived in London), at his Paris and London galleries. During the final three decades of the 19th century, Durand-Ruel became the most important commercial advocate of French Impressionism in the world.
Monet visited his hometown of Le Havre in the Northwest of France in 1872 and proceeded to create a series of works depicting the port. The six painted canvases depict the port "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the port".
Alfred Sisley (/ ˈ s ɪ s l i /; French:; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship.
Portrait of John Rewald, circa 1973. John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. [1]
Scholars generally attribute The Gust of Wind to the summers of 1872 and 1873, [α] a time frame described as classic Impressionism, [2] and a period marked by Renoir's collaboration with Monet. [3] While debates persist regarding the precise date and location of the painting's creation, [ 4 ] it is thought to either depict the specific Saint ...