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Mullard Circuits for Audio Amplifiers is a famous book by the Technical Services Department of Mullard Ltd, a British valve manufacturing company. First published in 1959 and then reprinted several times it contained a number of designs by Mullard engineers for high quality audio amplifiers, which were to be used by amateur constructors as well as by manufacturers as the basis for many ...
According to the manufacturer, the NAD 3020 is a high voltage design that uses the same large powerful output transistors (2N3055 and MJ2955) that "other manufacturers employ in their '60-watt' amplifiers", enabling the amplifier to deliver power headroom for musical transients. [7]
Powered from +500 V power supply, the KT66 prototype delivered 20 Watts at no more than 0.1% distortion. [25] A less costly +425V power supply enabled 15 Watt output power at no more than 0.1% distortion; this arrangement became standard for the Williamson amplifier and defined its physical layout. [25]
A rebuild Stereo Mullard 5-10 amplifier without power supply unit. The Mullard 5-10 was a circuit for a valve amplifier designed by the British valve company, Mullard in 1954 at the Mullard Applications Research Laboratory (ARL) in Mitcham Surrey UK, part of the New Road factory complex, to take advantage of their particular products.
This makes them unsuitable for use with valve amplifiers, particularly lower-power single-ended designs. Valve hi-fi power amplifier designs since the 1970s have had to move mainly to class AB1 push–pull (PP) circuits. Tetrodes and pentodes, sometimes in ultra-linear configuration, with significant negative feedback, are the usual configuration.
An '84 dB' source would require a 400-watt amplifier to produce the same acoustical power (perceived loudness) as a '90 dB' source being driven by a 100-watt amplifier, or a '100 dB' source being driven by a 10 watt amplifier. A good measure of the 'power' of a system is therefore a plot of maximum loudness before clipping of the amplifier and ...