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Theme associated with the discovery of the amazing wizarding world. Used for the discoveries of Diagon Alley (in the movie), Hogwarts and the Great Hall (and during the sorting of Hermione). The Philosopher's Stone: Ron Weasley's Motif Whimsical theme used to represent the lightness of Ron. The Philosopher's Stone and The Chamber of Secrets
The theme has also been featured in the Fantastic Beasts spin-off prequel films, various video games, and Universal theme park attractions. [1] " Hedwig's Theme" has gained status as a signature theme of the Wizarding World franchise and is widely regarded as one of the greatest and most iconic film themes of all time.
Harry Potter and the Goblet of Fire (Original Motion Picture Soundtrack) was released on 15 November 2005. The film's score was composed by Patrick Doyle, conducted by James Shearman, recorded at Air Lyndhurst Studios and performed by the London Symphony Orchestra with orchestrations provided by Doyle, Shearman, Lawrence Ashmore, John Bell, Brad Dechter, Nicole Nevin and James McWilliam.
"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard.
Harry Potter and the Chamber of Secrets (Original Motion Picture Soundtrack) is the film score to the 2002 film of the same name, composed by John Williams and conducted by William Ross.
Mother Goose's name was identified with English collections of stories and nursery rhymes popularised in the 17th century. English readers would already have been familiar with Mother Hubbard, a stock figure when Edmund Spenser published the satire Mother Hubberd's Tale in 1590, as well as with similar fairy tales told by "Mother Bunch" (the pseudonym of Madame d'Aulnoy) [4] in the 1690s. [5]
Their music was not in the original stage production; [2] although it did use George V. Hobart's lyrics. [1] Mother Goose is a musical in three acts with music by Frederick Solomon, lyrics by George V. Hobart, and a book by John J. McNally that was adapted from Arthur Collins and J. Hickory Wood's libretto for the 1902 pantomime of the same ...
The reception for the soundtrack of Part 1 was overall positive. The first review of the soundtrack was released on 31 October 2010 by Jonathan Broxton, who rated the score 5/5, saying that "This score is one of Desplat’s greatest achievements and highlights everything I love about his work; the orchestral textures, the intricate use of unexpected instruments in unexpected settings, the ...