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Raja Ravi Varma (Malayalam: [ɾaːdʒaː ɾɐʋi ʋɐrm(ː)ɐ]) (29 April 1848 – 2 October 1906 [3] [4]) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography.
Damayanti (Sanskrit: दमयन्ती, romanized: Damayantī) is a figure in a love story found in the Vana Parva book of the Mahabharata. [1] She is the daughter of Bhima (not the Pandava) and a princess of the Vidarbha Kingdom, who marries King Nala of the Nishadha kingdom.
Most of these artefacts are paintings, prominent among which are those by Raja Ravi Varma, some of which demonstrate scenes from the Hindu epics such as the Ramayana and the Mahabharatha. The collection of paintings in the gallery exceed 2000 in number and these belong to different Indian styles of painting like Mysore, Mughal and Shantiniketan ...
painter and creator An Indian painter who achieved recognition for his depiction of scenes from the epics of the Mahabharata and Ramayana. Date of birth/death: 29 April 1848 : 2 October 1906 : Location of birth/death: Kilimanoor : Attingal : Work location
Raja Ravi Varma (1848–1906) was a remarkable self-taught Indian painter from the princely state of Travancore. His exposure in the west came when he won the first prize in the Vienna Art Exhibition in 1873. Varma's paintings were also sent to the World's Columbian Exposition held in Chicago in 1893 and his work was awarded two gold medals. [7]
Raja Ravi Varma was a pioneer of modern Indian painting. He drew on Western traditions and techniques including oil paint and easel painting, with his subjects being purely Indian, such as Hindu deities and episodes from the epics and Puranas .
The palace originally handed over 70 Ravi Varma paintings but some of them are not on display at the art gallery due to space constraints. [9] [7] The Kerala government undertook the restoration of Ravi Varma paintings in 2005. [10] Ravi Varma's masterpiece paintings Shakuntala and Damayanti Talking to a Swan are displayed at the gallery. In ...
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