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White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2]
Egyptian artists primarily worked in black, red, yellow, brown, blue, and green pigments. These colours were derived from ground minerals, synthetic materials (Egyptian blue, Egyptian green, and frits used to make glass and ceramic glazes), and carbon-based blacks (soot and charcoal).
Glass is enamelled by mixing powdered glass, either already coloured (more usual) or clear glass mixed with the pigments, [1] with a binder such as gum arabic that gives a thick liquid texture allowing it to be painted with brushes. Generally the desired colours only appear when the piece is fired, adding to the artist's difficulties.
Vase with White and Red Carnations is a work by Vincent van Gogh. It is an oil on canvas painting in a private collection, painted in the summer of 1886 in Paris. [ 1 ] The painting depicts white and red carnation flowers in a gold and dark brown vase.
Crackled glass was glass filled with webs of small cracks and fissures, refracting light and causing the glass to have a sparkling effect. [1] Émaux-Bijoux was a technique invented by Emile Gallé. Translucent layers of enamel were built up in layers and then fused to a foil of precious metal, which was then heated and attached to the outside ...
Art glass is a subset of glass art, this latter covering the whole range of art made from glass. Art glass normally refers only to pieces made since the mid-19th century, and typically to those purely made as sculpture or decorative art , with no main utilitarian function, such as serving as a drinking vessel, though of course stained glass ...
Cameo glass was a means of decorating cased glass. The cased glass of two or more colors was carved with a diamond saw or etched with acid, so that the colors of the layer underneath were visible and created a design. Enamel glass was decorated on the outside by a brush of enamels colored by metallic oxides. [11]