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The scenes of the Passion start in the distance at the top left with Jesus's entry into Jerusalem on Palm Sunday, passes through the town and out again to the bottom left to the Garden of Gethsemane, through the Passion scenes in the centre of the city (judgment of Pilate, the Flagellation of Jesus, Crowning with Thorns, Ecce Homo), then follows the procession of the cross back out of the city ...
Albrecht Dürer produced a total of three print cycles of the Passion of Christ: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in woodcut, [14] and one in engraving (16 scenes, 1507–1512). [15] These were distributed all over Europe, and often used as patterns by less ambitious painters.
Christ after the Flagellation (Murillo, Champaign) Christ and the Angel; Christ at the Column (Bramante) Christ Before the High Priest; Christ Crowned with Thorns (Annibale Carracci) Christ Driving the Money Changers from the Temple (El Greco, Minneapolis) Christ Driving the Money Changers from the Temple (El Greco, London)
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
Entombment of Christ in art (1 C, 1 P) L. Lamentation of Christ in art (2 C, 1 P) Last Supper in art (1 C, 5 P) P. ... Pages in category "Passion of Jesus in art by ...
Sold by Konrad Bernheimer, who heads up the Bernheimer-Colnaghi dealership based in both London and Munich, at TEFAF 2012 to Boston Museum of Fine Art patrons Rose-Marie and Eijk van Otterloo, who reside in Naples, Fla., for €3.5 million. The picture had been in a Spanish private collection for more than a century.
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of ...