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  2. L'estro armonico - Wikipedia

    en.wikipedia.org/wiki/L'estro_Armonico

    Title page of the first edition. L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711.

  3. La stravaganza - Wikipedia

    en.wikipedia.org/wiki/La_stravaganza

    La stravaganza [literally 'Extravagance'] (The Eccentricity), Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713. The set was first published in 1716 in Amsterdam and was dedicated to Venetian nobleman Vettor Delfino, [ 1 ] who had been a violin student of Vivaldi's. [ 2 ]

  4. List of operas by Antonio Vivaldi - Wikipedia

    en.wikipedia.org/wiki/List_of_operas_by_Antonio...

    pasticcio, possibly with some music by Vivaldi 10 701: Artabano, re dei Parti: Antonio Marchi: Carnival 1718: Venice, Teatro San Moisè: reworking of La costanza trionfante (RV 706) 11 699: Armida al campo d'Egitto: Giovanni Palazzi: Carnival 1718: Venice, Teatro San Moisè. Further performances in Venice on 26 December 1730 and 12 February ...

  5. List of compositions by Antonio Vivaldi - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    Antonio Vivaldi (engraving by François Morellon la Cave, from Michel-Charles Le Cène's edition of Vivaldi's Op. 8) The following is a list of compositions by the Italian Baroque composer Antonio Vivaldi (1678–1741).

  6. Argippo - Wikipedia

    en.wikipedia.org/wiki/Argippo

    Only the Prague libretto names Vivaldi as composer: because of the similarities between both texts Vivaldi is however considered the composer in both cases. [ 13 ] [ 28 ] The Vienna version, which was probably performed before the Prague version, received the RV 697-A number, and RV 697-B was assigned to the opera performed in the Sporck Theater.

  7. Vivaldi's introduzioni - Wikipedia

    en.wikipedia.org/wiki/Vivaldi's_introduzioni

    Vivaldi's introduzioni are written for a solo singer, either alto or soprano, accompanied by instruments. The musical structure seems to derive from the text: four of the eight (RV 635, 636, 637, and 642) consist of two arias in da capo form surrounding a central recitative. One (RV 638) has a central aria flanked by two recitatives; another ...