Search results
Results From The WOW.Com Content Network
Teguh Karya (born Steve Liem Tjoan Hok; Chinese: 林廉鹤; 22 September 1937 – 11 December 2001) was an Indonesian film director. Starting his entertainment career in theatre, he made his directorial debut in 1971 with Wadjah Seorang Laki-Laki in which he also wrote the screenplay.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Sandiwara (Indonesian term for: "drama") is a genre of traditional theatrical drama of Indonesia. In general, it refers to any kind of drama or theatrical performance, and literally, sandiwara means "to pretend" or "to act". However, the term is often used to describe a genre of traditional drama of West Java.
Semar Gugat (Indonesian for Semar Accuses) is a stage play written by Nano Riantiarno for his troupe Teater Koma. It follows the traditional wayang character Semar as he attempts— and fails— to take revenge against Arjuna and Srikandi for humiliating him by cutting off a lock of his hair while they are under the influence of the demon queen Durga.
Lee Jung-jae returns as Gi-hun after winning an Emmy for the role in 2022, becoming the first Asian actor to win the lead actor in a drama series award. Review: 'Squid Game 2' is still violent ...
Norbertus Riantiarno (better known as Nano Riantiarno or N. Riantiarno; 6 June 1949 – 20 January 2023) was an Indonesian actor, director, and playwright.While in high school, he studied under Teguh Karya and acted in several movies and plays, until he eventually established his own theatre troupe, Teater Koma, in 1977.
According to this theory, the world is a stage where all the people present are actors and their actions parallel a drama. [1] Burke then correlates dramatism with motivation, saying that people are "motivated" to behave in response to certain situations, similar to how actors in a play are motivated to behave or function. [ 1 ]
The notion of postdramatic theatre was established by German theatre researcher Hans-Thies Lehmann in his book Postdramatic Theatre, [1] summarising a number of tendencies and stylistic traits occurring in avant-garde theatre since the end of the 1960s.