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Penitent Magdalene (also called Repentant Madalene) is a 16th-century oil on canvas painting by Italian Baroque painter Caravaggio. The painting portrays a repentant Mary Magdalene bowed in penitent sorrow as she leaves behind her dissolute life, its trappings abandoned beside her. [ 1 ]
Penitent Magdalene (Titian, 1531) Penitent Magdalene (Titian, 1550) Penitent Magdalene (Titian, 1565) Penitent Magdalene (Artemisia Gentileschi) Penitent Magdalene (Caravaggio) Penitent Magdalene (Ribera) Crucifixion (Perugino and Signorelli) Galitzin Triptych; Madonna and Child with Two Saints (Perugino) Mary Magdalene (Perugino) Pazzi Crucifixion
The Penitent Magdalene (titled Repentant Mary Magdalene in the Hermitage) is an oil on canvas painting by Titian, from the c. 1560s. It depicts Saint Mary Magdalene . it is held in the Hermitage Museum , in Saint Petersburg .
The Penitent Magdalene is a painting of saint Mary Magdalene by Titian dating to around 1531, signed 'TITIANUS' on the ointment jar to the left. It is now in the Sala di Apollo of the Palazzo Pitti in Florence, Italy.
Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour. In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Penitent Magdalene is a 1616–1618 painting by the Italian baroque artist Artemisia Gentileschi.This painting hangs in the Pitti Palace in Florence. [1] The subject is the biblical figure Mary Magdalene, but the painting references another biblical woman, Mary, the sister of Lazarus. [2]
The painting's history is confused by the existence of several copies and variants - it and Danaë are the commonest subjects in Titian's oeuvre. [2] Vasari's Lives of the Artists mentions several copies of the Penitent Magdalene, [2] the oldest of them (the only pre-Tridentine of the four) was then in the 'guardaroba' of the Duke of Urbino and later came to Florence as part of Vittoria Della ...