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The Ampex ATR-124, though still widely regarded as the most accurate and best sounding multitrack ever produced, was a financial disaster for Ampex, resulting in only 62 being produced. Base price for these recorders in 1980 was $48,500 for the sixteen track machine and $62,500 for the 24 track machine.
Multitrack sequencer software typically uses a multitrack recorder metaphor as the main interface, with multiple tracks and track segments. Individual tracks can be edited using graphic notation in the form of a "piano roll"-guided input for the control of MIDI-based hardware and software instruments.
Keyboard Sets allowed for immediate recalling of keyboard track settings. Korg iS50: iS50 was the low cost version of iS40, with a slightly reduced feature set. Korg i30: The i30 Interactive Music Workstation was introduced, claiming to be the first arranger featuring a Touch Screen Display.
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production. [1] [2] [3]
The Yamaha MT-100 Multi-track Cassette Recorder is an analog tape deck developed to record artists in the late 1980s. It was marketed just before the advent of Digital Audio Tape . It allowed the variable speed recording of 4 tracks of audio that could be mixed, merged and re-recorded onto standard cassette tapes .
Multitrack recording also allows any recording artist to record multiple takes of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional takes of songs or instrumental tracks. A recording engineer can record only the section being worked on, without erasing any other section ...