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As of September 2022, the song has been used in over 200,000 videos on the platform. [6] [7] In an interview with Pitchfork, Beach House member Victoria Legrand said of the success of "Space Song" on TikTok: [8] I don't need to analyze it because I'm grateful for it. I don’t think it's just that song, but if that is the gateway, then I'm ...
"Spaceman" is a song by American singer Nick Jonas. It was released as the lead single and title track of his fourth studio album on February 25, 2021. It was written by Jonas, Greg Kurstin and Maureen McDonald.
"Paradise" is a song by Alan Walker, K-391 (the artistic name of Kenneth Nilsen) and Boy in Space (the artistic name of Robin Lundbäck). [1] It was a non-album release through MER and Sony Music in 2021 as a collaboration with mobile game PUBG Mobile (PlayerUnknown's Battlegrounds).
2001: A Space Odyssey is a soundtrack album to the film of the same name, released in 1968.The soundtrack is known for its use of many classical and orchestral pieces, and credited for giving many classical pieces resurgences in popularity, such as Johann Strauss II's 1866 Blue Danube Waltz, Richard Strauss' symphonic poem Also sprach Zarathustra, and György Ligeti's Atmosphères.
While Grande's refrain of “I’m a star, I’ma need space” verges on cutesy, the delicate harmonies and airy production of “NASA” make its blown-out bass and trap drums feel weightless." [10] Rolling Stone said the song was "a deeply empathetic (and devastatingly catchy) ode to wanting to be alone, and letting absence make hearts grow ...
"I Believe I Can Fly" is a song written, produced, and performed by American singer R. Kelly from the soundtrack to the 1996 film Space Jam.It was originally released on November 26, 1996, and was later included on Kelly's 1998 album R.
Download QR code; Print/export Download as PDF; ... Pages in category "Songs about outer space" The following 40 pages are in this category, out of 40 total.
[8] Reviewing The Boy with the X-Ray Eyes in Select, Ian Harrison described the song as a "bin-lid dancey metal effort with a weakness for vintage Bowie-isms (done like Bauhaus with synths) and a suspected humour deficiency". [9] Also Helen Lamont of Smash Hits rated the song four out of five. She noted: "The intro sounds just like the ad ...