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"Walkin on Water" was written by Stray Kids' in-house production team 3Racha, and co-composed with Restart and Chae Gang-hae. [6] Described as a "challenge", 3Racha revealed on behind-the-scenes video Intro "Hop" that it is the first time that the song contains only one genre in the whole song, which is "old-school hip-hop genre with boom bap beats", departing from mixing diverse sounds of ...
The lyrics implied frustrations of the people who doubt the band's identities when they themselves have not found it yet. [2] Afterwards, they released the other I Am series EPs ( I Am Who & I Am You ) in 2018, Clé series EPs ( Clé 1: Miroh , Clé 2: Yellow Wood , & Clé: Levanter ) in 2019, their first studio album Go Live and the reissue ...
JYP Entertainment described Hop as the first work of album marketed as "SKZhop Hiptape"—a combination of the group's initials "SKZ" and "hip-hop"—which would "contains 'Stray Kids' only-new-genre' songs that has not been officially defined." [6] The title is a word play between "Hop" from hip-hop music and Hanja " 合" (lit.
All songs in this segment were performed with a live band. The group then showcased the sub-unit songs from Oddinary. Bang Chan, Lee Know, Seungmin, and I.N performed "Waiting for Us" in pastel outfits with a stand microphone covered in flowers. Changbin, Hyunjin, Han, and Felix sang "Muddy Water" in black leather jackets.
"Muddy Water", a 1926 song with lyrics by Jo Trent and music by Peter DeRose & Harry Richman, covered by many artists "Muddy Water", a song by English rock group Free, from the 1973 album Heartbreaker
"Top" is a pop rock and EDM song written by the group's producer 3Racha (Bang Chan, Changbin, Han) and Armadillo, and co-composed with Rangga and Gwon Yeong-chan. [11] The Japanese version added KM-Markit to write the Japanese lyrics. [12] The English version's lyrics were adapted by Bang Chan and Sophia Pae. [13]
The song was one of Waters' last charting singles and appears on several of his compilation albums, including the 1965 album The Real Folk Blues. He later recorded "Forty Days and Forty Nights" for the 1969 Fathers and Sons album and the Authorized Bootleg: Live at the Fillmore Auditorium November 4–6, 1966 album released in 2009.
English trumpeter and broadcaster Humphrey Lyttelton reviewed the song (and "Hello Little Girl") in 1955 in New Musical Express, saying Waters is "a genuine contemporary blues singer". [7] In a 1969 interview, Muddy Waters himself said it was his favorite song out of all the songs he had recorded. [ 8 ]