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In ancient times the surviving monuments of Persian art are notable for a tradition concentrating on the human figure (mostly male, and often royal) and animals. Persian art continued to place larger emphasis on figures than Islamic art from other areas, though for religious reasons now generally avoiding large examples, especially in sculpture.
Dastgāh (/ d æ s t ˈ ɡ ɑː /; Persian: دستگاه, Classical: [dastˈɡɑːh], Iran: [dæstˈɡɒː(h)]) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A dastgāh consists of a collection of musical melodies, gushehs.
Median man in Persepolis Persian realist Gouache painting of the Qajar dynasty and soldiers in 1850-1851. The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry.
During the Achaemenid Empire (550–330 BCE), the influence of Persian culture reached across the state. [8] Like earlier periods, relatively few records of music survive. [9] [10] The ethnomusicologist Hormoz Farhat describes the dire situation: "the Achaemenian dynasty, with all its grandeur and glory, has left us nothing to reveal the nature of its musical culture". [10]
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, [1] [2] [3] refers to the classical music of Iran (historically known as Persia). It consists of characteristics developed through the country's classical, medieval, and contemporary eras.
Sasanian influences are found in medieval Byzantine textiles, jewelry, and architectural sculpture. A notable example of Sasanian-influenced decorative motifs can be found in the fifth- and sixth-century floor mosaics of Antioch. The Sasanian motifs did not appear before the fifth century in Roman-Byzantine art, but the impact was long-lived. [23]
' mural of Rostam '; Persian: نقش رستم, Persian: [ˌnæɣʃeɾosˈtæm]) is an ancient archeological site and necropolis located about 13 km northwest of Persepolis, in Fars province, Iran. A collection of ancient Iranian rock reliefs are cut into the face of the mountain and the mountain contains the final resting place of four ...
The top "F" note is repeated twice, creating a total of 25 separate tones on the santur. The Persian santur is primarily tuned to a variety of different diatonic scales utilizing 1/4 tones which are designated into 12 modes of Persian classical music. These 12 Dastgahs are the repertory of Persian classical music known as the Radif. [5]