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Charles Tournemire: Sept Chorals-Poèmes pour les sept Paroles du Christ for organ (1935) Knut Nystedt: "Jesu syv ord på korset", Op. 47, oratorio for solo and mixed choir The Seven Words from the Cross (1960). [7] Alan Ridout: The Seven Last Words for organ (1965) "The Crucifixion" from Jesus Christ Superstar (1969), by Tim Rice and Andrew ...
A book on Christianity and logical support for Jesus as God, from an Anglo-Catholic perspective. Morison, Frank (1930). Who Moved the Stone? A Discussion of the Trial, Death and Resurrection of Jesus Christ. London: Faber & Faber. Oursler, Fulton (1949), The Greatest Story Ever Told: A Tale Of The Greatest Life Ever Lived, New York: Doubleday.
The work is a dramatic oratorio and is considered a much more humanistic portrayal of the Christ passion [4] than other settings, such as those by Bach.It concludes at the point of Jesus personally accepting his fate, placing the emphasis on his own decision rather than the later Crucifixion or Resurrection.
The English title derives from famous piano transcriptions made by Myra Hess, in 1926 for piano solo and in 1934 for piano duet, [1] as published by Oxford University Press. Whether played instrumentally or sung in German or English, the chorale is often heard at weddings and during Advent , Christmas , and Easter .
Christ Jesus, mighty Lord, God's only Son, adored. He holds the field victorious. Though hordes of devils fill the land All threat'ning to devour us, We tremble not, unmoved we stand; They cannot overpow'r us. Let this world's tyrant rage; In battle we'll engage. His might is doomed to fail; God's judgement must prevail! One little word subdues ...
The Vingt Regards sur l'Enfant-Jésus ("Twenty Contemplations on the Infant Jesus") are a suite of 20 pieces for solo piano by the French composer Olivier Messiaen (1908–1992). The suite is a meditation on the infancy of Jesus.