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Cherríe Moraga [1] (born September 25, 1952) is an influential Chicana feminist writer, activist, poet, essayist, and playwright. [2] [3] A prominent figure in Chicana literature and feminist theory, Moraga's work explores the intersections of gender, sexuality, race, and class, with particular emphasis on the experiences of Chicana and Indigenous women.
Moraga mentions her mother and being opposed to her because of her skin color. Throughout the book, the differences between her mother, an immigrant, straight, and traditional woman, along with Moraga, a homosexual, [15] white-colored feminist, become smaller and smaller. [13] Eventually, Moraga finds that she relates to her mother.
Their children, James, JoAnn and Cherrie, born in east Los Angeles, grow up on the border between the suburban American dream and as members of a mixed-race family and community. Moraga describes her own difficulties coming to terms with her lesbian sexuality, and her mother's difficulty accepting it.
The Hungry Woman: A Mexican Medea is a 1995 American play by Cherríe Moraga. The play was published by West End Press . [ 1 ] It includes aspects of Coatlicue , an Aztec goddess; the play Medea by Euripides ; and La Llorona .
The play, along with Circle in the Dirt, uses dialog that is a mixture of English and Spanish to paraphrase the content of the interviews conducted by Moraga; most of the actual interviews were done entirely in Spanish. [5] The music in the play includes bolero, cumbia, and rap. Some of the music includes original compositions. [4]
The interest in black feminism was on the rise in the 1970s, through the writings of Mary Helen Washington, Audre Lorde, Alice Walker, and others. [3]: 87 In 1981, the anthology This Bridge Called My Back, edited by Cherríe Moraga and Gloria E. Anzaldúa, was published and But Some of Us Are Brave was published the following year.
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Smith, Lorde, Cherríe Moraga, Hattie Gossett, Helena Byard, Susan Yung, Ana Oliveira, Rosío Alvarez, Alma Gomez and Leota Lone Dog are all considered co-founders of the organization. [8] [9] Smith explained the name of the press as "the kitchen is the center of the home, the place where women in particular work and communicate with each other."