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Motion is the optical change created by moving objects, people, and shadows; movement is that change created by camera motion or gradual lens change. Presumably, the film industry has capitalized on the results of previous psychological research that shows motion and the onset of motion capture our attention. [19]
Neurocinema or neurocinematics is the science of how watching movies, or particular scenes from movies affect our brains, and the response the human brain gives to any given movie or scene. [1] The term neurocinema comes from neurologists who are studying which pieces of a film can have the most control over a viewer's brain. [ 2 ]
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s.
The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory , a branch of film studies .
The film opens with the shimmer of a knife's blade on a sharpening stone. A drink is being prepared, The knife's blade shows again, juxtaposed is a shot of a chicken letting loose of its harness on its feet. All symbolising 'The One that got away'. The film is about life in the favelas in Rio - sprinkled with violence and games and ambition.
Over time, "teen gamers" can become unaware of their surroundings and lack social interaction in real life. According to the article by Hygen Beate in 2019 mention the video game violence can impact an individual's essential social skills such as their emotions, behavior towards others, listening and understanding ability, responding or communicating, knowing verbal and non-verbal cues ...
The theme or topic refers to the issues or concepts that the film revolves around; for example, the science fiction film, sports film, and crime film. The mood is the emotional tone of the film, as implied in the names of the comedy film , horror film , or ' tearjerker '.
The Complete Gone with the Wind Trivia Book: The Movie and More. Taylor Trade Publishing. ISBN 978-1-4616-0422-8. Bridges, Herb (1998). The Filming of Gone with the Wind. Mercer University Press. ISBN 978-0-86554-621-9. Harwell, Richard Barksdale (1 February 1992). Gone With the Wind As Book and Film. University of South Carolina Press.