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In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper-based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass. Putting mats in a frame is called matting, a term ...
Glass thicknesses typically range from 1.8 to 2.5 millimetres (0.071 to 0.098 in). Clear glass has light transmission of approximately 90%, absorption of approximately 2%, and reflection of approximately 8%. Whereas absorption can be reduced by using low-iron glass, reflection can only be reduced by an anti-reflective surface treatment.
The matte painter then develops a test strip (with the blacked out areas in the shot) and projects a frame of the 'Matted' shot onto the easel mounted glass. This test footage clip is used as the reference to paint the background or scenery to be matted in on a new piece of glass. The live action part of the glass is painted black, more of the ...
Float glass is a sheet of glass made by floating molten glass on a bed of molten metal of a low melting point, typically tin, [1] although lead was used for the process in the past. [2] This method gives the sheet uniform thickness and a very flat surface. [ 3 ]
A frame from a 35 mm film print. Here, the picture is framed for the intended theatrical aspect ratio (inside the yellow box). The picture outside of the yellow box is matted out when the film is shown in widescreen. For 4:3 television and home media versions, a large portion of the picture can be used (inside the red box) with an open matte.
135 film. The film is 35 mm (1.4 in) wide. Each image is 24×36 mm in the most common "small film" format (sometimes called "double-frame" for its relationship to the "single-frame" 35 mm movie format or full frame after the introduction of 135 sized digital sensors; confusingly, "full frame" was also used to describe the full gate of the movie format half the size).
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