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Metaphysical Interior with Biscuits (Italian: Interno metafisico con biscotti) is a 1916 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the earliest editions in a series of works that extended late into Chirico's career. [1]
In 2022, De Chirico and Quatoyiah Murry published the book TCM Underground: 50 Must-See Films from the World of Classic Cult and Late-Night Cinema. [4] [5] [6] In December 2022, De Chirico was laid off from TCM. In February 2023, TCM Underground was discontinued. [7] [3] [8] De Chirico and Danielle Henderson host the podcast I Saw What You Did. [9]
The Disquieting Muses (in Italian: Le Muse inquietanti, 1916, 1917 or 1918 [3]) is a painting by the Italian metaphysical painter Giorgio de Chirico. There are two versions of this painting, the original is in the Gianni Mattioli private collection, in Milan, and the other is at the Pinakothek der Moderne, in Munich. [4]
The Song of Love by Giorgio de Chirico, 1914. Giorgio de Chirico, unlike many artists of his generation, found little to admire in the works of Cézanne and other French modernists, but was inspired by the paintings of the Swiss Symbolist Arnold Böcklin and the work of German artists such as Max Klinger. [2]
Giuseppe Maria Alberto Giorgio de Chirico was born in Volos, Greece, as the eldest son of Gemma Cervetto and Evaristo de Chirico. [4] His mother was a Genoese baroness [5] of Greek origins from Smyrna, [6] and his father a Sicilian barone [3] [7] of Greek ancestry (the Kyriko or Chirico family was of Greek origin, having moved from Rhodes to Palermo in 1523 together with 4,000 other Greek ...
Metaphysical Interior with Large Factory is an oil-on-canvas painting by the Italian metaphysical painter Giorgio de Chirico, from 1916. [1] It is part of a series that extended late into de Chirico's career. [2] Like the other works in this series it depicts a small room cluttered with surreal objects.
The man himself is likely a younger version of the figure of Dionysos who appears in later works by de Chirico, such as The Phantom. [ 1 ] The common interpretation of the painting is that the figure represents de Chirico's father, with the book on the table representing the artists' parent's lovemaking, perhaps witnessed at some point by the ...
Hebdomeros is a 1929 book (referred to by some as a novel) by Italian painter Giorgio de Chirico. Chirico did not produce any other long-form writing. The book is narrated in the third person and loosely concerns the movement of a man, Hebdomeros, westward. [1] Writing in The Kenyon Review, Alan Burns referred to the text as a "surrealist dream ...