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Music for Mallet Instruments, Voices and Organ is a 1973 composition by American composer Steve Reich. The piece is scored for glockenspiels , marimbas , metallophone ( vibraphone without resonator fans), women's voices, and organ , and runs about 17 minutes.
Gary Burton (born January 23, 1943) [1] is an American jazz vibraphonist, composer, and educator.Burton developed a pianistic style of four-mallet technique as an alternative to the prevailing two-mallet technique.
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
The Mallet Concerto is a concerto for mallet percussion instruments and chamber orchestra by the American composer Ned Rorem. It was first performed by the percussionist Evelyn Glennie and the Madison Symphony Orchestra under the conductor John DeMain in Madison, Wisconsin , on March 27, 2004.
Pages in category "Musical instruments played with soft mallets" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes .
Mitchell Thomas Peters (August 17, 1935 – October 28, 2017) was a principal timpanist and percussionist with the Los Angeles Philharmonic Orchestra. He composed well-known pieces for the marimba such as "Yellow After the Rain" and "Sea Refractions"; it is said that these works were composed because Peters felt that there was a lack of musically interesting material that would introduce his ...
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...