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English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry , if it was worked in England.
Broderie anglaise (French, "English embroidery", pronounced [bʁɔdʁi ɑ̃ɡlɛz]) is a whitework needlework technique incorporating features of embroidery, cutwork and needle lace that became associated with England, due to its popularity there in the 19th century.
Louisa Pesel (1870–1947) was an English embroiderer, educator and textile collector. She was born in Bradford, and studied textile design at the National Art Training School, [1] causing her to become interested in decorative stitchery.
A Vatican inventory of 1295 lists over 113 pieces from England, more than from any other country; [4] a request by Pope Innocent IV, who had envied the gold-embroidered copes and mitres of English priests, that Cistercian religious houses send more is reported by the Benedictine chronicler Matthew Paris of St Albans: "This command of my Lord ...
Crewel embroidery was a pastime primarily in New England. There are some surviving examples from the mid Atlantic region, primarily New York and Pennsylvania, but these designs differed. Indeed, there were also stylistic differences within New England, with one region being the Massachusetts coast area centered on Boston, and another Connecticut.
William Briggs & Co. Ltd, also known as Wm. Briggs & Co. Ltd. was a manufacturing company that produced needlework patterns and materials for embroidery. They were known for their Penelope line and were one of the largest manufacturers of art needleworks.