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Pages in category "Paintings by Antoine Watteau" The following 26 pages are in this category, out of 26 total. This list may not reflect recent changes. A.
Jean-Antoine Watteau (UK: / ˈ w ɒ t oʊ /, US: / w ɒ ˈ t oʊ /, [2] [3] French: [ʒɑ̃ ɑ̃twan vato]; baptised 10 October 1684 – died 18 July 1721) [4] was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens.
It was then acquired by Watteau's patron Jean de Jullienne. [5] [6] An engraving was made in 1732 after a small version by Pater who extended Watteau's composition for the print. It attracted the attention of Frederick the Great of Prussia. He bought the painting in 1748 (at that time already in two separate parts) from the Dutch dealer Pieter ...
Mezzetino (transl. Mezzetin; French: Mézetin) is an oil-on-canvas painting in the Metropolitan Museum of Art, New York, by the French Rococo painter Jean-Antoine Watteau. Dated within 1717–1720, Mezzetino forms a full-length single-figure composition, depicting the eponymous character in commedia dell'arte .
Antoine Watteau, Embarkation for Cythera, 1717 Fête galante (French pronunciation: [fɛːt ɡalɑ̃t]) (courtship party) is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland ...
Jupiter and Antiope (French: Jupiter et Antiope) is an oil painting by the French artist Antoine Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Intended to be placed over a doorway, today it hangs in the Musée du Louvre in Paris.
The Worried Lover (L'Amante inquiète) [a] is an oil on panel painting in the Musée Condé, Chantilly, by the French Rococo artist Antoine Watteau.Variously dated to c. 1715–1720, the painting was among private collections throughout the 18th and 19th centuries, until it has been acquired by Henri d'Orleans, Duke of Aumale, son of King Louis Philippe I; as part of the Duke of Aumale's ...
Variously dated between 1709 and 1716, the painting is a pastoral scene that is one of a few extant arabesques in Watteau's art; it shows a young couple with a dog, sitting at a sparrow's nest; it has been thought to be influenced by Flemish Baroque painting, exactly by Peter Paul Rubens' painting from the Marie de' Medici cycle.