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The line "This ain't no Mudd Club or CBGB" refers to two New York music venues at which the band performed in the 1970s. [8] "The line 'This ain't no disco' sure stuck!" remarks Byrne in the liner notes of Once in a Lifetime: The Best of Talking Heads. "Remember when they would build bonfires of Donna Summer records? Well, we liked some disco ...
Talking Heads were an American new wave band who, between 1975 and 1991, recorded 96 songs, 12 of which were not officially released until after their break-up. The group has been described as "one of the most acclaimed bands of the post-punk era" by AllMusic and among the most "adventurous" bands in rock history by the Rock and Roll Hall of Fame.
Music journalist Simon Reynolds cited Fear of Music as representing the Eno–Talking Heads collaboration "at its most mutually fruitful and equitable". [27] The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco". [28] The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the ...
“This ain’t no party, this ain’t no disco / This ain’t no fooling around / This ain’t no Mudd Club, no C.B.G.B. / I ain’t got time for that now.” _Talking Heads. 1979. The Lower East ...
Fear of Music is the third studio album by the American new wave band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May 1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart.
The Talking Heads instrumentalists began recording this album in late 1994 after spending several years trying to get vocalist David Byrne to participate. [1] The title track was first released on the soundtrack to Virtuosity , [ 2 ] with recording continuing through 1995, as friends and musical acquaintances filled in as guest vocalists. [ 1 ]
The opening spoken line, "This ain't no disco", is a reference to the song "Life During Wartime" by Talking Heads. [12] In 1997, after attending a performance by Crow at the Rosemont Theatre in Illinois, veteran Chicago Tribune music critic Greg Kot called the song "a rewrite of Stealers Wheel's 'Stuck in the Middle with You'". [13]
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