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Gordenker, Emilie E.S.: Van Dyck and the Representation of Dress in Seventeenth-Century Portraiture, Brepols, 2001, ISBN 978-2-503-50880-1; Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS
An Upper Egyptian dress with a small amount of telli embroidery. Many traditional Upper Egyptian dresses, especially older styles, were large T shaped robes worn on top of other dresses for public occasions. They have straight seams and very very wide sleeves. They are embroidered along the seams, shoulder, and/or around the neck opening.
1. A simple trimmed lace and cloth dress English/French cut. (1710) 2. Silk dress supported by panniers. Note that there is no central parting to the dress. The low cut neckline is also less ornamented than a contemporary women's would be. (1718) 3. A group scene of a girl and two boys. Boys were breeched at around 5–10.
Under new enthusiasms for outdoor sports and country pursuits, the elaborately embroidered silks and velvets characteristic of "full dress" or formal attire earlier in the century gradually gave way to carefully tailored woollen "undress" garments for most occasions, whilst continuing to be worn for more formal ones (e.g. Balls, receptions ...
The clothing of men and women at several social levels of Ancient Egypt are depicted in this tomb mural from the 15th century BC. The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures ...
Under new enthusiasms for outdoor sports and country pursuits, the elaborately embroidered silks and velvets characteristic of "full dress" or formal attire earlier in the century gradually gave way to carefully tailored woolen "undress" garments for all occasions except the most formal.
The Petrie Museum of Egyptian Archaeology, London Egyptian woman in a kalasiris Female statue with clothing, 2118 - 1980 BC, Museo Egizio (Turin, Italy) During the Old , Middle and New Kingdom , ancient Egyptian women mostly wore a simple sheath dress called a kalasiris, [ 7 ] which is shown to cover the breasts in statues, but in paintings and ...
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...