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The first digital delay offered in a pedal was the Boss DD-2 in 1984. Rack-mounted delay units evolved into digital reverb units and on to digital multi-effects units capable of more sophisticated effects than pure delay, such as reverb and audio time stretching and pitch scaling effects.
Has "Tone Editor" with detune, delay, attack/decay and release. Has sustain pedal input. Not velocity sensitive. Also released as the PMP-600 as part of Casio's "Professional" line. [43] CT 657 1989 61 full 110 12 D (x6) - Has "Tone Editor" with delay, attack/decay and release. [44] CT 660 1988 61 full 465 10 D (x6) in/out/thru
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] [3] It is also used for looping. [4]
In 2020 a reverb pedal created in collaboration with Chase Bliss was announced. [4] In 2022, Meris released the LVX, a modular delay system, allowing users to build their own delay effects, customizable with modulation, filtering, preamps, and effects. Along with additional effects, the user can route control signals to different parameters.
The Stage adds a delay module, amplifier modeling (Wurlitzer speaker, Fender Twin Reverb and Roland Jazz Chorus), [19] overdrive, and expands the Electro's 2-band EQ to 3-band. Piano, Organ, and Synth sections can be independently routed through these groups. Two Master Effects are included – a simple compressor, and a five-algorithm reverb.
Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1] The character of the delay sound changes as the tape wears with use. [2]
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