Search results
Results From The WOW.Com Content Network
The track references Shampoo's 1994 hit song "Trouble", [1] and incorporates such musical styles as reggae, trap [2] and kuduro. [3] "Double Bubble Trouble" was released as a promotional single in the Netherlands in 2013 and Sweden, [4] before becoming the fifth and final official single from Matangi in 2014.
The short track "Double Bubble Trouble" is sonically and lyrically reminiscent of "Trouble" (1994), a single by female duo Shampoo. [3] [34] "Bring the Noize" uses a beat from the song "Marble Anthem" (2011) by Marble Players, a group which includes Surkin, who produced several tracks on Matangi, [35] although the sample is not listed in the ...
"Trouble" is a song by British female pop music duo Shampoo, released in July 1994 by Food Records as the first single from their debut album, We Are Shampoo (1994). The song was written by the duo's Carolyn "Carrie" Askew and Jacqueline "Jacqui" Blake with producer Conall Fitzpatrick, and peaked at No. 11 on the UK Singles Chart .
A bubble tea company called Bobba is in hot water after Chinese Canadian actor Simu Liu voiced concerns about cultural appropriation on CBC’s “Dragons’ Den.”
The lyrics also reference Fidel Castro, Cristiano Ronaldo, offshore banking and Julianne Moore. [2] "Y.A.L.A." was previewed on singer's SoundCloud account on 16 October, and subsequently made available for download on 22 October 2013 upon pre-ordering Matangi. [3] The song served as the fourth single from the album.
A bubble tea company called Bobba is in hot water after Chinese Canadian actor Simu Liu voiced concerns about cultural appropriation on CBC’s “Dragons’ Den.”
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Her third album, Maya, was released in 2010 and reached the top 10 in numerous countries, remaining her highest-charting album both in the UK and the US. Her fourth album, Matangi , was released in 2013, charting moderately in music markets, despite receiving strong feedback from both public and critics.