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The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. Side view showing depth of the relief
"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
After Mesopotamia fell to the Persian Achaemenid Empire, which had much simpler artistic traditions, Mesopotamian art was, with Ancient Greek art, the main influence on the cosmopolitan Achaemenid style that emerged, [102] and many ancient elements were retained in the area even in the Hellenistic art that succeeded the conquest of the region ...
in Dominique Collon, et al. "Mesopotamia, §III: Sculpture." Grove Art Online, Oxford Art Online, Oxford University Press, accessed 19 November 2016, subscription required; Hugh Honour and John Fleming, A World History of Art, 1st edn. 1982 (many later editions), Macmillan, London, page refs to 1984 Macmillan 1st edn. paperback. ISBN 0-333-37185-2
Relief from the north wall of the Palace of king Sargon II at Dur Sharrukin, 713–716 BC. Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture . Winged genies are usually bearded male figures sporting birds' wings .
The Uruk Trough is an important Sumerian sculpture found at the site of Uruk, Iraq.It has been part of the British Museum's collection since 1928. [1] [2] Along with the Uruk Vase, the trough is considered to be one of the earliest surviving works of narrative relief sculpture from the Middle East, dating to 3300–3000 BC, during the Uruk period.
The art of Mesopotamia rivalled that of Ancient Egypt as the most grand, sophisticated and elaborate in western Eurasia, from the 4th millennium BC until the Persian Achaemenid Empire conquered the region in the 6th century BC. The main emphasis was on very durable, forms of sculpture in stone and clay.
Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.