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Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
The visible pattern superimposed on the grid is also geometric, with 6-, 8-, 10- and 12-pointed stars and a variety of convex polygons, joined by straps which typically seem to weave over and under each other. [28] [37] The visible pattern does not coincide with the underlying construction lines of the tiling. [28]
To reduce their negative thermal impact on the living space, glass doors should have insulated frames and be double or triple glazed, with low-emissivity coatings and gas-filling (typically argon). Metal-framed glass doors should also have thermal breaks. The doors should be properly sized and protected (using shades, blinds, curtains and other ...
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Shoji paper sliding doors in the Rinshunkaku at Sankei-en (Important Cultural Property) Shoji doors next to the tokonoma alcove, Rinshunkaku A tatami room surrounded by paper shoji (paper outside, lattice inside). The shoji are surrounded by an engawa (porch/corridor); the engawa is surrounded by garasu-do, all-glass sliding panels.
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