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(The chordal three-note upbeats in the left hand have been anticipated by the transition to this episode in bar 22, a clever unifying touch.) This suggests a rather expansive form, but Beethoven suddenly returns to the dominant of A minor in bar 34, once again lingering on the dominant E and its lower neighbor and leading to an exact repeat of ...
Short title: Untitled; File change date and time: 11:44, 25 July 2007: Date and time of digitizing: 11:44, 25 July 2007: Software used: LilyPond 2.10.25: Conversion program
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Psychedelic rock band Vanilla Fudge covered the piece (along with Fur Elise) that is part of "Phase Two" on their 1968 album, The Beat Goes On. In July 1975, Dmitri Shostakovich quoted the sonata's first movement in his Viola Sonata, op. 147, his last composition. The third movement, where the quotation takes fragmentary form, is actually ...
Concertino for piano (left hand) and orchestra, Op. 65: 1954 Karl Weigl: Concerto for the left hand [2] 1924 Takashi Yoshimatsu: Concerto for Piano Left Hand and Chamber Orchestra "Cepheus Note", Op. 102: 2007 Géza Zichy: Piano Concerto in E-flat for the left hand (written for himself to play) 1895 Ján Zimmer: Piano Concerto No. 5 for the ...
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The entire harmonic structure, with one exception, is constructed so that the left-hand part outlines a B-minor triad directly below the right-hand melody. Thus, when the melody is on a C# or D, the left hand is on a B. When the melody is on an E or F#, the left hand is on a D, and when the melody is on a G, A, or B, the left hand is on an F#.
Left-hand pizzicato or Stopped note A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the horn, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes ...