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"Moby Dick" is an instrumental drum solo by English rock band Led Zeppelin, featured on the band's 1969 album Led Zeppelin II. Named after the 1851 novel of the same name by Herman Melville, it was also known by the alternative titles "Pat's Delight" (early 1968–1969 version with completely different guitar riff) and "Over the Top" (with "Out on the Tiles" intro section and original closing ...
"Bonzo's Montreux" is a drum solo by Led Zeppelin drummer John Bonham. It was recorded in September 1976 at Mountain Studios in Montreux, Switzerland, with electronic effects added by Jimmy Page. [1]
John Henry Bonham (31 May 1948 – 25 September 1980) was an English musician who was the drummer of the rock band Led Zeppelin.Noted for his speed, power, fast single-footed kick drumming, distinctive sound, and feel for groove, [1] he is regarded as one of the greatest and most influential drummers in history.
It was a regular part of Led Zeppelin's live show, developing to include additional percussion and electronic drums. [23] "Bring It On Home" was a cover of a Willie Dixon song originally performed by Sonny Boy Williamson II. Led Zeppelin's arrangement includes a faster middle section in addition to the straightforward blues structure of the ...
It features the members of Led Zeppelin in late Apollo mission astronaut suits in front of a starry background and a Led Zeppelin logo. The logo behind them shows many space-related images, but the only one wholly visible is the image of the moon's face with a space capsule stuck in its eye taken from the early silent movie A Trip to the Moon .
The 1993 compact disc edition has four additional tracks from the box sets, Led Zeppelin Boxed Set (1990) and Led Zeppelin Boxed Set 2 (1993), the previously unreleased "Travelling Riverside Blues", "White Summer/Black Mountain Side" and the "Immigrant Song" b-side "Hey, Hey, What Can I Do" from the former and the previously unreleased "Baby ...
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The last full live performance during Led Zeppelin's main career was at Earl's Court in London later that year, after which the violin bow section of the song's guitar solo was played as a standalone piece. It was revived as a complete song performance for the Ahmet Ertegun Tribute Concert in 2007.