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Heatmiser was an American rock band, formed in Portland, Oregon, in October 1991.Consisting of Elliott Smith (guitar and vocals), Neil Gust (guitar and vocals), Brandt Peterson (bass; later replaced by Sam Coomes, frontman of Quasi) and Tony Lash (drums), they were known for their well-crafted lyrics and songs often featuring the juxtaposition of melancholic and cheery words and melodies.
Yellow No. 5 is an EP by American alternative rock band Heatmiser, released in 1994 by record label Frontier between the albums Dead Air (1993) and Cop and Speeder (1994).. The EP was also released as a split cassette EP on Frontier Records, with Yellow No. 5 on side A and All Souls Alive by Australian rock band The Blackeyed Susans on side B (excluding the first four songs from All Souls ...
Mic City Sons is the band's only recording for a major label; however, when individuals at Virgin Records learned the band might be on the verge of disbanding, the album was subsequently licensed for release through the smaller sister independent label Caroline Records (also an EMI subsidiary) and their independent distributor of the same name.
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Dead Air was recorded at Sound Impressions in Milwaukie, Oregon, and mixed at Whitehorse Studios in Portland, Oregon.According to Tony Lash, the Dead Air versions of "Bottle Rocket" and "Lowlife" reuse the basic tracks from their Music of Heatmiser EP demo counterparts, but feature new vocal and guitar overdubs.
Tony Lash is an American musician and music producer, most notable as a founding member of Heatmiser as the band's drummer. [1] He played with Elliott Smith , in the high school band. Lash played the flute; Smith, the clarinet.
Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter.He was born in Omaha, Nebraska, raised primarily in Texas, and lived much of his life in Portland, Oregon, where he gained popularity.
Trouser Press wrote, "Heatmiser attains a powerful sense of mood on Cop and Speeder [...] Thanks to improved songwriting, the album finds the band beginning to emerge from its flat monochrome tones." Thanks to improved songwriting, the album finds the band beginning to emerge from its flat monochrome tones."