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The sculpture was commissioned by the Advisory Committee for the stairwell of the museum when the new building opened in 1939. [2] Fabricated in Roxbury, Connecticut, the painted steel wire and sheet aluminum sculpture is 8' 6" (260 cm) x 9' 6" (290 cm) in diameter. The sculpture suggests the movement of underwater life. [3]
Aluminum wire used before the mid-1970s had a somewhat higher rate of creep, but a more significant issue was that the same high price of copper driving the use of aluminum wire led to the use of brass-coated steel rather than solid brass screws for terminations at devices such as outlets and switches.
Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [1] In the 20th century, the works of Alexander Calder, Ruth Asawa, and other modern practitioners developed the medium of wire sculpture as an art form.
Jewelry wire is wire, usually copper, brass, nickel, aluminium, silver, or gold, used in jewelry making. Wire is defined today as a single, usually cylindrical, elongated strand of drawn metal. However, when wire was first invented over 2,000 years BC, it was made from gold nuggets pounded into flat sheets, which were then cut into strips. The ...
The wire is affixed to a base which is usually made of wood. The artist then begins fleshing out the sculpture by adding wax or clay over the wire. Depending on the material and technique, the armature may be left buried within the sculpture but, if the sculpture is to be hollowed out for firing, it must 1 be removed.
His sculptures, composed most often of pieces of aluminum sheet and joined by screws in parallel layers, some with sliding rails, sometimes fixed against a background with an imaginary landscape and framed, offer the viewer their own interpretations in accordance with the sculptor's wish to engage them as potential creators. [63]