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As well as the more common lower cutaway, many instruments have an upper cutaway, sometimes smaller than the lower one, or sometimes about the same size. This is mainly seen on electric guitars, as the reduction in body size resulting from a double cutaway would be detrimental to the sound quality of an acoustic guitar. Double cutaways allow ...
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
Stephen's Extended Cutaway — a unique bolt-on neck joint invented by luthier Stephen Davies to allow greater unrestricted access for a guitarist's fretting hand. Used primarily with the Nuno Bettencourt signature models, the SEC has also been employed with acoustic guitars, and remains on some current (2017) models of the Parallaxe line. [22]
This is a list of Gibson brand of stringed musical instruments, mainly guitars, manufactured by Gibson, alphabetically by category then alphabetically by product (lowest numbers first). The list excludes other Gibson brands such as Epiphone .
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
From its introduction in 1922–23 to the 1940s, the L-5 came in different configurations (all strictly acoustic): Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo ...