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The relationship between the author and the publisher is the key point. If it's the same person (or the same group of people) doing both, then it's self-published. If it's a different person or group of people voluntarily deciding whether to make the authors' works available to the public, then it's non-self-published.
For the author to reach their audience, often through publication, the work usually must attract the attention of the editor. The idea of the author as the sole meaning-maker of necessity changes to include the influences of the editor and the publisher to engage the audience in writing as a social act. There are three principal kinds of editing:
The writer becomes the "co-publisher" (i.e. co-owner) with the music publisher based on an agreed split of the royalties. The songwriter assigns an agreed percentage to the publisher, usually (but not always), a 50/50 split. Thus, the writer conveys _ of the publisher's share to the publisher, but retains all of writer's share.
A hybrid publisher shares the costs of publication (and therefore the risks) with the author. Because of this financial risk, they are selective in what they publish. The contract varies according to what is negotiated between author and company, but will always include the surrender of some rights to the publisher. [34]
The .ibooks format is created with the free iBooks Author e-book layout software from Apple Inc. This proprietary format is based on the EPUB standard, with some differences in the CSS tags used in an ibooks format file, this making it incompatible with the EPUB specification. The End-User Licensing Agreement (EULA) included with iBooks Author ...
In a peer review context: if an author prepares a manuscript on their computer and submits it to a publisher for review but it is not accepted, there cannot be a "publisher's preprint". In a web context (legal/cultural authorship): to demonstrate authorship, an author can upload a version of their work to a repository before full publication.