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Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
Let us pray: Almighty and eternal God, Thou hast appointed Thine only-begotten Son the Redeemer of the world and willed to be appeased by his blood. Grant, we beg of Thee, that we may worthily adore this price of our salvation and through its power be safeguarded from
Pseudo-Chrysostom: To pray for ourselves it is our necessity compels us, to pray for others brotherly charity instigates. [5] Glossa Ordinaria: Also because He is a common Father of all, we say, Our Father; not My Father which is appropriate to Christ alone, who is His Son by nature. [5]
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
This category is for specific works that include depictions of Jesus in the visual arts.For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus.
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
In Christian art the hand will often actually represent the hand of God the Son, or the Logos; this is demonstrated when later depictions start to substitute for the Hand a small half-length portrait of Christ as Logos in a similar circular frame. It is nearly always Christ in the East, but in the West God the Father will sometimes be shown in ...
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]