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Etruscan goddess identified with Greek Aphrodite and Roman Venus. She appears in the expression, Turan ati, "Mother Turan", equivalent to Venus Genetrix. [52] Her name is a noun meaning "the act of giving" in Etruscan, based on the verb stem Tur-'to give.' Turmś, Turms: Etruscan god identified with Greek Hermes and Roman Mercurius.
Venus seems to have had no origin myth until her association with Greek Aphrodite. Venus-Aphrodite emerged, already in adult form, from the sea foam (Greek αφρός, aphros) produced by the severed genitals of Caelus-Uranus. [10] Roman theology presents Venus as the yielding, watery female principle, essential to the generation and balance of ...
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
Aeneas flees burning Troy, Federico Barocci, 1598 (Galleria Borghese, Rome, Italy). In Greco-Roman mythology, Aeneas (/ ɪ ˈ n iː ə s / ih-NEE-əs, [1] Latin: [äe̯ˈneːäːs̠]; from Ancient Greek: Αἰνείας, romanized: Aineíās) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). [2]
Through his identification with the Hephaestus of Greek mythology, Vulcan came to be considered as the manufacturer of art, arms, iron, jewelry, and armor for various gods and heroes, including the lightning bolts of Jupiter. He was the son of Jupiter and Juno, and the husband of Maia and Aphrodite (Venus).
The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.