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"Goodness of God" is a song by Bethel Music and Jenn Johnson, which was released as the third single from Bethel Music's eleventh live album, Victory (2019), on November 1, 2019. [1] The song was written by Ed Cash, Ben Fielding, Jason Ingram, Brian Johnson and Jenn Johnson. [2] Ed Cash handled the production of the single. [3]
"Same God" is a pop-centric piano ballad, [9] which is composed in the key of Dâ™ with a tempo of 72.5 beats per minute, and a musical time signature of 4 4. [10] The lyrics of the song describe "the consistent and unchanging nature of God's wisdom, power, goodness and generosity toward His children." [11]
The instrumentalist improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and blues soloing, the pentatonic scale built on the root note is widely used to solo over straightforward chord progressions that use I, IV, and V chords (in the key of C ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Cassandra O'Neal (born Cassandra Louise O'Neal on January 17, 1973) is an American musician, composer, and recording artist. Best known as keyboard player (2009–2016) with Prince and The New Power Generation, she has an impressive resume of work with major industry (gospel, pop and funk) artists for over twenty-five (25) years.
In music, the tonic is the first scale degree of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone [1] that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as do.
A leading-tone triad is a triad built on the seventh scale degree in a major key (vii o in Roman numeral analysis), while a leading-tone seventh chord is a seventh chord built on the seventh scale degree (vii ø 7). Walter Piston considers and notates vii o as V 0 7, an incomplete dominant seventh chord. [1]
In music theory, a major scale and a minor scale that have the same starting note are called parallel keys and are said to be in a parallel relationship. [ 1 ] [ 2 ] For example, G major and G minor have the same tonic (G) but have different modes , so G minor is the parallel minor of G major.