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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]
Specific black-and-white photographs. It should not contain the images (files) themselves, nor should it contain free- or fair-use images which do not have associated articles. See also Category:Color photographs
Thomas Struth (born 11 October 1954) is a German photographer who is best known for his Museum Photographs series, black and white photographs of the streets of Düsseldorf and New York taken in the 1970s, and his family photographs series. Struth lives and works between Berlin and New York. [1]
Silhouettes of birds, particularly seagulls, were added to water scenes. To create a well-defined moon or sun, Bodine placed an appropriate size coin on the paper during the darkroom exposure. He added specks of white to simulate snow or rain in his photographs, frequently on the overall image, or, in many instances, simply on certain areas.
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints (cyanotype or Van Dyke brown), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.