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Galgenlieder (Gallows Songs) for Saxophone Quartet and Choir (2014)—Lera Auerbach; Galgenlieder (Gallows Songs) for Saxophone Quartet and Children Choir (2015)—Lera Auerbach; I Saw Eternity for Soprano Saxophone and TTBB Choir (2012)—Paul Mealor; Making or Breaking for Soprano Saxophone and SSAATTBB Choir (2015)—Kim André Arnesen
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
The Voice of the Saxophone is an album by the American saxophonist Don Braden, released in 1997. [1] [2] It was his first album for RCA Victor. [3] Braden supported it with a North American tour. [4] "Monk's Hat" was used as the theme to the television series Cosby; Bill Cosby played timbales and cowbell on the track. [5]
"The 100 Greatest Singers of All Time" is a feature published by American magazine Rolling Stone in 2008. The list presented was compiled by a panel of 179 musicians. [1] It was updated in 2023, and upgraded as "The 200 Greatest Singers of All Time" list. The 2023 list was compiled by the magazine's staff and key contributors. [2]
F, person or group uses an F Mezzo-soprano saxophone in addition to the E♭ alto sax. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Pages in category "Rolling Stone's 500 Greatest Songs of All Time" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes .
Henry Mobley (July 7, 1930 – May 30, 1986) was an American tenor saxophonist and composer. [1] Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", [2] a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with ...
At the time Creston composed his sonata, French composers were leading the development of the classical saxophone. [11] The instrument suffered from a dearth of original concert repertoire: aside from Glazunov's Concerto, Debussy's Rhapsodie and Creston's own Suite, Leesons's recitals of the time were dominated by transcriptions of vocal and string music.
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