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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
F, person or group uses an F Mezzo-soprano saxophone in addition to the E♭ alto sax. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Galgenlieder (Gallows Songs) for Saxophone Quartet and Choir (2014)—Lera Auerbach; Galgenlieder (Gallows Songs) for Saxophone Quartet and Children Choir (2015)—Lera Auerbach; I Saw Eternity for Soprano Saxophone and TTBB Choir (2012)—Paul Mealor; Making or Breaking for Soprano Saxophone and SSAATTBB Choir (2015)—Kim André Arnesen
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. [1] The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.
The list differs from the 2004 version, with 26 songs added, all of which are songs from the 2000s except "Juicy" by The Notorious B.I.G., released in 1994. The top 25 remained unchanged, but many songs down the list were given different rankings as a result of the inclusion of new songs, causing consecutive shifts among the songs listed in 2004.
Henry Mobley (July 7, 1930 – May 30, 1986) was an American tenor saxophonist and composer. [1] Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", [2] a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with ...
Edward Abraham Lefebre (15 December 1834 – 22 February 1911) was a virtuosic saxophonist in the late nineteenth century, best known for his work with Patrick Gilmore, John Philip Sousa, C. G. Conn, and the New York Saxophone Quartette Club. His frequent international performances and continued advocacy of the saxophone led to his nickname of ...