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Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
The will to power (German: der Wille zur Macht) is a concept in the philosophy of Friedrich Nietzsche. The will to power describes what Nietzsche may have believed to be the main driving force in humans. However, the concept was never systematically defined in Nietzsche's work, leaving its interpretation open to debate. [1]
John Dewey was born in Burlington, Vermont, to a family of modest means. [17] He was one of four boys born to Archibald Sprague Dewey and Lucina Artemisia Rich Dewey. Their first son was also named John, but he died in an accident on January 17, 1859.
The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller, 135-142; 143-151.
The first presentation is often given by commentators as follows, based on Schellenberg's own summing up: [7] If there is a God, he is perfectly loving. If a perfectly loving God exists, reasonable nonbelief does not occur. Reasonable nonbelief occurs. No perfectly loving God exists (from 2 and 3). Hence, there is no God (from 1 and 4).
She specifically attacks Naturalism and Modernism in art, while upholding Romanticism (in the artistic sense, which Rand distinguishes from the philosophy also called Romanticism, which she strongly opposed). The first eleven of the book's twelve chapters were essays originally written for periodicals and an introduction to an edition of Victor ...
Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University.He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action.