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Australian official war artists, 1916–1918 by George Coates, 1920. Oil on canvas, 124.2 x 104.5 cm. The group portrait presents, left to right: front — George Bell; standing — John Longstaff, Charles Bryant, George Washington Lambert, A. Henry Fullwood, James Quinn, H. Septimus Power, Arthur Streeton; and seated back — Will Dyson, Fred Leist.
Crozier (centre) at Imbros. Francis Rossiter Crozier (c. July 1883 – 22 October 1948) was a war records artist who is represented in the Australian War Memorial's art collection along with other Australian official war artists such as H. Septimus Power, Arthur Streeton, George Washington Lambert and Ivor Hele.
Upon returning to Australia, Longstaff continued to paint and teach art. He enlisted in the Australian Imperial Force at the outbreak of the First World War and was injured in the Gallipoli campaign. In October 1915 he joined a remount unit and served in France and Egypt before being evacuated to England in 1917. In England, he began drawing ...
The Australian tradition of "official war artists" started with the First World War. Artists were granted permission to accompany the Australian Imperial Force to record the activities of its soldiers. During the Second World War, the Australian War Museum, later called the Australian War Memorial, engaged artists.
In 1941 Cook moved to Australia [7] to teach at the East Sydney Technical College (ESTC, later called the National Art School) until 1949, his employment interrupted by his WW2 camouflage work for the Department of the Interior, then from March 1944, he was official war artist for the Australian Comforts Fund, in Papua New Guinea.
Australian Artists at War: Compiled from the Australian War Memorial Collection. Volume 1. 1885–1925; Vol. 2 1940–1970. South Melbourne, Victoria: Sun Books. ISBN 978-0-7251-0254-8; OCLC 4035199; Canada. Brandon, Laura (2021). War Art in Canada: A Critical History. Toronto: Art Canada Institute, 2021. ISBN 978-1-4871-0271-5
George Frederick Henry Bell OBE (1 December 1878 – 22 October 1966) was an Australian painter and teacher, critic, portraitist, violinist and war artist [1] who contributed significantly to the advancement of the local Modern movement from the 1920s to the 1930s.
Anzac, the Landing 1915 by George Lambert (1920–1922).. Lambert became an official Australian war artist in 1917 during the First World War. [2] His painting Anzac, the landing 1915 of the landings on the Gallipoli peninsula in Turkey, is the largest painting at the Australian War Memorial collection.