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Lapidary style is prose that is appropriate for memorials, mausoleums, stelae, and other commemorations in which words are "etched in stone"; it is concise, pithy, elegant, and sententious. The meaning extends to text in that style which is printed on paper rather than carved into monuments.
"The word was made flesh, and dwelt amongst us" (John 1:14) [1] Pope John Paul II chose as the motto of this World Youth Day, the lapidary phrase with which the apostle John expresses the mystery of God made man. According to the apostle John: "What distinguishes the Christian faith in all other religions is the certainty that the man Jesus of ...
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and metaphysical virtues of precious and semi-precious stones, that is to say, a work on gemology. [1]
Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary techniques of cutting, grinding, and polishing is known as a lapidary or lapidarist.
Lapidary is the practice of shaping stone, minerals, or gemstones. Lapidary may also refer to: Lapidary (text) a treatise on gemology, especially when pre-modern Old English Lapidary; Lapidary Point, a headland on King George Island; Lapidary style, a style of prose appropriate for memorials, mausoleums, stelae
The so-called Old English Lapidary (Cotton Tiberius A.iii) is a 10th or 11th century Old English lapidary, a translation of older Latin glosses on the precious stones mentioned in the Book of Revelation.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The earliest known works of representational art are stone carvings. Often marks carved into rock or petroglyphs will survive where painted work will not. Prehistoric Venus figurines such as the Venus of Berekhat Ram may be as old as 250,000 years [citation needed], and are carved in stones such as tuff and limestone.