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The Guardian Angel recommends Gerontius's case to this being's most powerful prayer. Once the Angel of the Agony has begged Jesus to be merciful to Gerontius and to hasten the purgatorial cleansing of all imperfect, saved souls, Gerontius declares himself ready to meet his God.
In this manner she produced enough poems to fill a volume, The Guardian Angel, which was published in 1856 and which featured as a frontispiece a portrait of Congdon in her bed. [1] The poems range from shorter works on a variety of topics to long, narrative pieces on romantic subjects; the book also contains a poem on an abolitionist subject.
The Angel of the Agony pleads with Jesus to spare the souls of the faithful. Finally Gerontius glimpses God and is judged in a single moment. The Guardian Angel lowers Gerontius into the soothing lake of Purgatory, with a final benediction and promise of a re-awakening to glory.
The Book of Azariah is a set of lessons based on the Gospels of Sundays Masses, attributed to Maria Valtorta's guardian angel. For instance, on May 26, 1946, the fifth Sunday after Easter, the Mass’ proper Gospel was John 16:23-30 [1] and Azariah's comments, in part, are quoted as follows: Generosity ought to be responded to with generosity.
"Guardian Angels" is a song by Harpo Marx and lyricist Gerda Beilenson (1903-1985) originally for the film The All-Star Bond Rally(1945.) [1] The lyrics begin: "Guardian angels around my bed, Joining me in my prayers".
Causley at The Poetry Archive, profile and poems written and audio. Critical essay by Dana Gioia The Most Unfashionable Poet Alive; Wendy Trewin, Obituary from The Guardian, 6 November 2003; Susan Hill, "Joking apart", The Guardian, 15 November 2003 ("Susan Hill celebrates the poetry of Charles Causley - Cornishman and friend")
And guardian angels sung this strain: "Rule, Britannia! rule the waves: "Britons never will be slaves." The nations, not so blest as thee, Must, in their turns, to tyrants fall; While thou shalt flourish great and free, The dread and envy of them all. "Rule, Britannia! rule the waves: "Britons never will be slaves." Still more majestic shalt ...
Sonnet 144 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.