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In this song the repeated line "Follow the Drinkin' Gourd" is thus often interpreted as instructions to escaping slaves to travel north by following the North Star, leading them to the northern states, Canada, and freedom: The song ostensibly encodes escape instructions and a map from Mobile, Alabama, up the Tombigbee River, over the divide to ...
A monograph of lyrics for Song of the Free. From Library and Archives Canada. The song alludes to, and explicitly states, the lack of freedom experienced by African Americans, and of their servitude to masters who controlled them. It highlights the dangers they were willing to face in order to escape enslavement, including death.
"Steal Away" is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included in the oratorio A Child of Our Time, first performed in 1944, by the classical composer Michael Tippett (1908–98). Many recordings of the song have been made, including versions by Pat Boone [6] and Nat ...
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]
After the reading, we were told that we were all free.” The use of songs as a narrative and a tool to convey an important message continued into the 20th century with Black Americans using their ...
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
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The melody is written in a minor key ("suppose E with minor 3 d") and differs significantly from later examples of music from Barbados, most of which are in major keys. [2] A lead singer alternates with the rest of the work gang in a call and response pattern, a feature shared by work songs in the United States into the early 20th century. [9]