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Italian ballet is the training methods [citation needed] and aesthetic qualities seen in classical ballet in Italy. Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance. Two predominant training systems are used to teach Italian ...
The etymology of the word "ballet" reflects its history. The word ballet comes from French and was borrowed into English around the 17th century. The French word in turn has its origins in Italian balletto, a diminutive of ballo (dance). Ballet ultimately traces back to Italian ballare, meaning "to dance". [2]
Painting of ballet dancers by Edgar Degas, 1872. Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique.It is known for its aesthetics and rigorous technique (such as pointe work, turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities.
The Royal Academy of Dance method is a ballet technique and training system that was founded by a diverse group of ballet dancers. They merged their respective dance methods (Italian, French, Danish and Russian) to create a new style of ballet that is unique to the organization and is recognized internationally as the English style of ballet. [10]
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Enrico Cecchetti (Italian pronunciation: [enˈriːko tʃekˈketti]; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. [1] The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome.
Rosina Galli (dancer) (1892-1940) prima ballerina at La Scala Theatre Ballet, Chicago Ballet, as well as the première danseuse of the Metropolitan Opera House Carlotta Grisi Fabio Grossi
Pages in category "18th-century Italian ballet dancers" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes .