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In her view, Tolkien's trolls are based on the ogre type, but with two "incarnations": ancient trolls, "creatures of dull and lumpish nature" in Tolkien's words, [T 11] unable to speak; and the malicious giants of strength and courage bred by Sauron with "enough intelligence to present a real danger". [1]
Tolkien's Middle-earth and its monsters have been documented in Clash of the Gods: Tolkien's Monsters, a 2009 television programme in the History Channel's Clash of the Gods series. [23] Jason Seratino, writing on Complex , has listed his ten favourite Tolkien monsters in movies, describing the Great Goblin as "a slimy cross between Sloth and ...
A quality of literature that Tolkien particularly prized, and sought to achieve in The Lord of the Rings, was the impression of depth, of hidden vistas into ancient history. He found this especially in Beowulf , but also in other works that he admired, such as Virgil 's Aeneid , Shakespeare 's Macbeth , Sir Orfeo , and Grimms' Fairy Tales . [ 31 ]
J. R. R. Tolkien was a scholar of English literature, a philologist and medievalist interested in language and poetry from the Middle Ages, especially that of Anglo-Saxon England and Northern Europe. [1] His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of ...
Tolkien has been called the "father" of modern fantasy. [14] The author and editor of Journal of the Fantastic in the Arts, Brian Attebery, writes that fantasy is defined "not by boundaries but by a centre", which is The Lord of the Rings. [15] Many later fantasy writers have either imitated Tolkien's work, or have written in reaction against ...
John S. Ryan, reviewing the book for VII, called it a "luminous companion" to the 12 volumes of The History of Middle-earth, and "clearly indispensable". [2] Ryan stated that it "pays a much merited tribute" [2] to Christopher Tolkien's six decades or more of work on his father's writings, indeed from his childhood as one of the original audience for The Hobbit.
The answer, of course, is both, and judging by the tweens dancing in and out of their seats at the film’s Animation Is Film Festival premiere, the target audience doesn’t need an ironic wink ...
Scholars have described the narrative structure of The Lord of the Rings, a high fantasy work by J. R. R. Tolkien published in 1954–55, in a variety of ways, including as a balanced pair of outer and inner quests; a linear sequence of scenes or tableaux; a fractal arrangement of separate episodes; a Gothic cathedral-like edifice of many different elements; multiple cycles or spirals; or an ...