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Dying Gaul, or The Capitoline Gaul, [1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE, Capitoline Museums, Rome Assyrian lamassu gate guardian from Khorsabad, c. 800 –721 BCE Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay The Angel of ...
This page was last edited on 15 February 2023, at 21:54 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The equestrian sculpture is insofar a miracle which stands for Fernkorn's craftsmanship as a sculptor, as only the two back legs of the horse have a connection with the pedestal, it is only the second oldest in the world of this kind, after the Monument to Nicholas I in Saint Petersburg, outdoing the achievement of Tacca's equestrian sculpture ...
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This page was last edited on 17 September 2020, at 07:35 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) [1] is a celebrated marble sculpture from classical antiquity.. The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares. [2]
The art-doll and ceramic sculpture communities also grew in numbers and importance in the late 20th century, while the entertainment industry required large-scale, spectacular (sometimes monstrous or cartoon-like) sculpture for movie sets, theme parks, casinos, and athletic stadiums.
In archeology and art history the appearance, and sometimes disappearance, of monumental sculpture (using the size criterion) in a culture, is regarded as of great significance, though tracing the emergence is often complicated by the presumed existence of sculpture in wood and other perishable materials of which no record remains; [7] the totem pole is an example of a tradition of monumental ...