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"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
The Holy Sonnets were not published during Donne's lifetime. It is thought that Donne circulated these poems amongst friends in manuscript form. For instance, the sonnet "Oh my black soul" survives in no fewer than fifteen manuscript copies, including a miscellany compiled for William Cavendish, 1st Duke of Newcastle-upon-Tyne.
Sonnet 10 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. In the sonnet , Shakespeare uses a rather harsh tone to admonish the young man for his refusal to fall in love and have children.
One example of this challenge is his Holy Sonnet X, "Death Be Not Proud". [11] [15] [25] Even as he lay dying during Lent in 1631, he rose from his sickbed and delivered the Death's Duel sermon, which was later described as his own funeral sermon. Death's Duel portrays life as a steady descent to suffering and death; death becomes merely ...
Title page of Corona di rime per festeggiare il natalizio giorno di fille from 1748. An advanced form of crown of sonnets is also called a sonnet redoublé or heroic crown, comprising fifteen sonnets, in which the sonnets are linked as described above, but the final binding sonnet is made up of all the first or the last lines of the preceding fourteen, in order.
The Holy Sonnets of John Donne is a song cycle composed in 1945 by Benjamin Britten for tenor or soprano voice and piano, and published as his Op. 35. [1] It was written for himself and his life-partner, the tenor Peter Pears , and its first performance was by them at the Wigmore Hall , London on 22 November 1945.
Later came two sonnet writers in holy orders, Bishop Miguel de Guevara (1585–1646) and, especially, Sister Juana Inés de la Cruz. But though sonnets continued to be written in both the old world and the new, innovation was mainly limited to the Americas, where the sonnet was used to express a different and post-colonial reality.
The Countess of Bedford audaciously skipped the late queen's funeral and rode hard to the Scottish border, ahead of a party of gentlewomen appointed by the Privy Council, [9] and got an audience in Scotland with the new king's wife Anne of Denmark. [10] Anne made Bedford a Lady of the Bedchamber and she became a trusted confidant. [11]