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This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
Colors for Trombone is a concerto for solo trombone and concert band. [1] It was composed in 1998 by Belgian composer Bert Appermont in Ravels. It was written for Belgian trombonist Ben Haemhouts. The piece is in four movements, each based on a color, and characterizes a typical musical quality:
The trombone having a slide instead of valves or strings or holes for playing had difficult positioning themselves, and tended to sit in the back of the trailer, gaining the name "Tailgate Trombone". This style of playing included many trombone specific techniques such as growling, scoops, falls, and slides.
Williams published the sheet music in 1923, and the same year Bessie Smith recorded the first hit version. [57] The song is often played as a ballad, although the sheet music indicates "medium bounce tempo". [107] Williams himself recorded the song in 1928 with his Blue Five. [57] Jo Stafford and Nat King Cole sang it in the 1945 film That's ...
The review ended with, "At 70, Nick Lowe has stopped playing the part of the Jesus of Cool. He no longer needs to proselytise: just like his music, Nick Lowe IS Cool." [11] Love Starvation/Trombone was given an 8 out of 10 rating by Americana UK on May 21, 2019. Jim Finnie ended his review with, "Nick Lowe is a bit of national musical treasure ...
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"Seventy-Six Trombones" is a show tune and the signature song from the 1957 musical The Music Man, by Meredith Willson, a film of the same name in 1962 and a made-for-TV movie in 2003. The piece is commonly played by marching bands, military bands, and orchestras.
Noting the wide appeal of Backatown, Carla Meyer of The Sacramento Bee wrote that it "provides comfort for fans of jazz, rock, pop, funk and however you want to classify James Bond theme music". [5] Geoffrey Himes of The Washington Post compared Andrews's vocals to Stevie Wonder and noted that the album has " second-line rhythm that could only ...